Are there parents who wish their children to grow up to become daytime
dreamers and inventors and whittlers? Parents who high-five their kids
for that amazing doodle they did during the chemistry class while trying
not to fall asleep? FOTOSEARCH
Question: Are there parents reading this who go to bed at night
praying that their child will be the odd one out? That they will be the
jester at the back of the classroom, the one who can’t seem to
concentrate on their maths homework.
That they will
almost always come back filthy as a sack of newly dug cassava because
they just had to make something very strange out of mud to fulfil their
imagination.
Or do they dread those parent-teacher
conferences, knowing that little Prudence has been caught slacking off
again, drumming on her seatback as she stared into space, trying to
recreate a beat she heard?
Are there parents who dream
of their child growing up to be an... artist? More interestingly, if we
gave the arts the kind of respect they demand, would we be healthier
societies, peoples, nations and even regional communities? It has been
weighing on my mind lately, and yes, you guessed it, for political
reasons mostly. Not only, but mostly.
I can’t do very
well with “flat” art. Making head or tail of it, for the most part, is
tricky business. We all have limitations. Things have to be obvious to
communicate to me in a static space, like comic books or cartoons.
Kingo?
I get. Those ridiculously magnificent paintings before modern art with
the pierced St Sebastian, for example, or the tiles from the now-defunct
Nyumba ya Sanaa by Lilanga? Yes.
Impressionist masters, though, or those people who put white paint on white paint? Eh.
But
the other day I saw something that stabbed me, and it came from a most
unexpected place. Masoud Kipanya did a piece that had nothing in it
except colours bleeding into each other. At the bottom was purple,
exploding upwards like it was leaking, or maybe dying. At the top was a
dominant green with a yellow tinge, crushing the life out of everything
else there. No pithy speech bubbles. No cynical mouse. Just amazing
political commentary, by brush.
It was a revelation.
Aside
from being technically competent — God bless them — artists tend to
have that other thing they do that opens portals of discernment. I was
gifted a flash of entirely satisfying insight by a cartoonist about
something entirely difficult to convey — with an added tangy twist of
mockery and a good bassline of hard truth to cement the lesson. Only art
can communicate with us on that visceral level.
Staring
at the tiny digital piece of work, I was struck by how much
stubbornness it takes to get anywhere with that stuff in our society.
Sure, there are pockets: We are damn good at music and will always be.
We love and respect a good oration and a good lyric, and... ah, the list
of things we love and excel at is long. Hedonism has its advantages.
But
beyond the sheer sensory pleasure of it all is the social advantage it
confers: Contradiction. Few endeavours thrive better in the intellectual
wastelands of dirigism than the flowers of artistic expression.
But
do we give art the respect it deserves? Artists think differently from
what the norm dictates. That’s almost — though not entirely — a
requirement of the impulse. As society quiets down reluctantly and
resentfully, I can detect the preternatural cessation of joy, mostly
through how we don’t art much anymore.
The mechanism
through which this stripping of joy is happening is a simple and
effective one: Censorship. We have to clean up our acts and our lyrics,
our print and our orations, our dances and so on and so forth. To say
that it is tedious doesn’t even begin to describe the situation.
To
go back to the initial musing: Are there parents who wish their
children to grow up to become daytime dreamers and inventors and
whittlers? Parents who high-five their kids for that amazing doodle they
did during the chemistry class while trying not to fall asleep, or who
snicker with pride over the superb, irreverent, sarcastic comeback the
headteacher was mad at little Prudence over? Little Prudence who might
just be better off in a writing workshop? To be continued...
Elsie Eyakuze is an independent consultant and blogger for The Mikocheni Report. E-mail: elsieeyakuze@gmail.com
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