Bombshell is based on the 2016 Fox News sexual harassment
scandal that brought down the most powerful man at Fox, its chairman and
CEO Roger Ailes.
Not to be mistaken for some dry,
didactic melodrama with heavy feminist overtones, the film nonetheless
is all about women in the media, including their trials, temptations and
terrible predicaments they often face as they strive to progress in
their careers.
Bombshell is also about power and the
strategic thinking of ambitious women whose boss has been having his way
with media women for many years.
Yet up until the ‘Me
Too’ movement emerged to give women the collective courage to speak out
and point fingers at their harassers, Ailes’ power, privilege and
penchant to take advantage of vulnerable women went uncontested.
It
is only when Gretchen Carlson (Nicole Kidman), one of Fox’s star news
anchors challenges Ailes’ ultra-conservative ‘talking points’ and
subsequently gets the sack that she takes him to court for sexual
harassment.
All hell breaks loose at Fox and the suspense builds as Carlson
doesn’t marshal an iota of feminist support. In fact, women won’t back
her up for the very real fear of losing their jobs.
Yet
the one senior Fox anchor woman who could potentially tip the scale in
Carlson’s favour is her media rival, Meghan Kelly (Charlize Theron who
also co-produces the film).
The drama of women’s
dilemma (specifically either to not be believed if you tell the truth or
not to speak up and let the status quo remain) is exquisitely conveyed
in Bombshell.
So is the issue of whether the vulnerable
one (played by Margot Robbie) should comply with her harasser and keep
(or get) the job, or refuse his advances and definitely lose the chance
to ‘get ahead’.
History (and Google) will tell you that
in real life, Meghan asserts her independence and frees other women to
accuse Ailes as well. It’s a watershed moment for women in media as
Ailes is not only sacked by his boss (owner of Fox) Rupert Murdoch who
wants the scandal quashed as quickly as possible. Ailes also loses the
law suit led by Carlson and Kelly and including 22 other women.
Personally,
I have a fondness for films like Bombshell and Spotlight that expose
corrupt conduct, especially the kind that’s been covered up in the name
of tradition and male privilege for too long.
Yet
Bombshell isn’t just for women. It can also serve as a cautionary tale
for men since it is true that women moving into spaces once held
exclusively by men tend to rock the boat and challenge the status quo.
But
that need not be bad, especially when the women are as attractive as
award-winning actors like Charlize Theron, Nicole Kidman and Margot
Robbie, all of whom looked like the women at Fox News.
The
invisible star of Bombshell is prosthetist Kazu Hiro who transformed
both Theron and John Lithgow as Ailes, making them virtual replicas of
the real characters.
No comments :
Post a Comment