NEW YORK
A highly realistic
portrait of Kenyan Deputy President William Ruto is among 11 paintings
displayed in a New York gallery on the theme of international justice.
Artist
Bradley McCallum worked from news photos in composing oil-paint
portraits of individuals indicted by the International Criminal Court
(ICC) and other United Nations-supported tribunals for proved or alleged
human rights violations.
The Ruto portrait, which is
on sale for $6,500 (Sh585,000), depicts him close-up in an unsmiling
pose that may strike some viewers as defiant. The 21-by-15 inch work is
so detailed that it includes a faint scar on the bridge of the deputy
president’s nose.
Mr McCallum says he executed this and the 10 other
pieces grouped under the heading “Portraits of Justice” without any
political agenda.
His aim, he says, is not to imply the guilt or innocence of the people he painted.
Instead,
Mr McCallum says, he seeks to raise public awareness about the ICC and
other institutions established to deliver justice for victims of
atrocities.
“I’m not pigeon-holing the paintings in any
particular political discussions,” Mr McCallum said in an interview
with the Sunday Nation. “I’m trying to look at this topic more broadly
and more poetically.”
Humorous drawings by Nation Media
Group cartoonist Gado (Godfrey Mwampembwa) are included in another
section of the same show at Kinz+Tillou Fine Art, a gallery in New York
City’s Brooklyn borough.
Examples of Gado’s work hang alongside paintings and photos by prominent international artists such as China’s Ai Wei Wei.
Victor Ndula, a cartoonist for the Star
newspaper, is also represented in this part of the show, which is
entitled “Post-Conflict” and which was curated by Mr McCallum.
NOT LIMITED TO AFRICANS
The
US artist says he plans to paint as many as 30 portraits of individuals
who have been charged by the ICC and other tribunals.
Asked
if a likeness of President Uhuru Kenyatta might be included in that
larger group, Mr McCallum said, “It would be important to consider that
addition.”
Unlike the roster of those brought before the ICC, the current set of portraits is not limited to African subjects.
Two
former leaders of Cambodia’s Khmer Rouge, both convicted of crimes
against humanity by a special tribunal in Cambodia, are on display.
There
is a portrait of Radovan Karadzic, a Bosnian Serb on trial for genocide
at the Hague-based International Criminal Tribunal for the former
Yugoslavia.
Three Congolese charged with war crimes are
depicted in the show, as is former Liberian leader Charles Taylor, who
was sentenced to a 50-year prison term at the conclusion of a trial by a
Hague-based special tribunal for Sierra Leone.
Mr McCallum wants his eventual set of up to 30 portraits to be shown in venues around the world.
The
works will first be displayed in The Hague in 2016. “It would be
wonderful” if the portraits could be seen in Nairobi or another African
city, Mr McCallum says.
The Brooklyn resident says he
was inspired to undertake these paintings as an outgrowth of his
longstanding interest in social issues.
He travelled to
The Hague two years ago to observe ICC proceedings with the objective
of “integrating into my art institutions involved in international
justice.”
Attending ICC trials gave him an appreciation
for the “complexity” of the court’s work, he says, adding, “I’m hoping
the portraits capture that complexity.”
Mr McCallum believes portraits differ from news photo, in that paintings can show “breathing life.”
Viewers
can also “feel the time and attention that went into making these
paintings. It’s similar to the time that goes into the judicial
process.”
Mr McCallum, who earned a master’s degree in
sculpture from Yale University in 1992, made contact with the Coalition
for the International Criminal Court while in the Hague.
The
coalition, a New York-based NGO that seeks to build support for the
ICC, agreed to enter into a partnership with Mr McCallum, who has been
paid $15,000 (Sh1.35 million) for his work.
Coalition
leader William Pace says his group agreed to assist because “the
intersection of art, human rights and justice is enormously important.”
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