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From left: Diana Opoti flaunts a Terrence Bray African dress, the TV
host showcases South African designer Terrence Bray’s outfit, she wears a
tunic from Peggy Onyango (Kenya) and red leisure pants from VIVO
(Kenya), and in Ghanaian designer Christie Brown’s outfit. PHOTOS |
COURTESY | MWIKALI LATI
By Mwikali Lati
Over the past two months, Diana Opoti, fashion public
relations consultant, executive producer and host of Designing Africa
TV show, has been posting pictures of herself on social media wearing
different African labels in her 100 days of African Fashion campaign.
Garnering more than 800 likes collectively on each photo on
social media sites Facebook and Instagram as well as a dedicated website
for the campaign, what started out as a way to uncover the real
authentic African Fashion by Africa’s best designers (clothing and
accessories) has instead focused global attention on the continent’s
thriving industry.
The campaign started off with Ms Opoti combing
through her wardrobe for clothes she has acquired over the years at
fashion events in the continent.
Designers quickly discovered the campaign as a
powerful platform to market their collections and sought their work to
be profiled.
The campaign has challenged designers to look at
other influencers beyond celebrities to grow their brands and act as
informal ambassadors as well as aroused the need to conserve the
authentic African fashion and promote “Made in Africa” brands. For
featured labels, a lot of new traffic has been re-directed to their
websites with some designers receiving direct inquiries on their fashion
products.
The plan was to profile a designer, create the excitement and establish a digital forum where people can buy fashion products.
However, Ms Opoti says budding designers are slow
to adopt online platforms for their business. Designers’ Internet
platforms are not updated regularly with latest trends and they are not
quick in responding to online queries and delivering products, she
points out.
“That means the disappointment of the consumer
falls back on the person who promoted it, me,” she says. “I need to find
a way to control and manage that expectation from followers so that
people can get the final product.”
Therefore, she launched a fashion PR and strategy
consultancy to better represent fashion businesses looking to enter the
Kenyan market.
She adds that for African fashion to thrive brands
should be trendy at competitive prices. “I think I represent a certain
market segment — the upwardly mobile and elegant lady in an official
setting who wants to be stylish,” she says.
Ms Opoti says her deliberate choice of ordinary
settings in day-to-day life to showcase clothes and other fashion
accessories is the main reason why the campaign has been a success.
“It also does not distract the consumer. It is
about the clothes — the fit. I deliberately select various looks,
sometimes I balance between simple elegant look and other days feature
edgier looks to keep the followers not only interested but also to
showcase the variety African fashion labels offers,” she says.
Ms Opoti says the younger generation aged 22-28 are
already very stylish and deliberately seek trendier apparel, whilst
older followers aged over 30 seem to limit themselves to what is
practical — items that can transition from formal to casual
effortlessly.
The TV host sees the latter segment as an exciting
future clientele for African fashion labels. Through this campaign, she
hopes to stir things up and showcase the versatility of African fashion.
Looking at different fashion designers in the
continent, Ms Opoti says South Africans are trend focused and market
their collections at weekly fashion events then stock up in stores
within three months. They have taken an advantage of two extreme seasons
with corresponding fashion weeks, she says.
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