The late Francis Imbuga. PHOTO/FILE
Francis Imbuga was such a person. A few days before his death, he
scribbled what has turned out to be his final word on his role as an
artist.
Significantly, these thoughts will enable
biographers and students of literature to understand the ideological
foundations of his works.
Literature professor Egara
Kabaji of Masinde Muliro University had the honour of reading these
words during his memorial service held last weekend at his graveside in
Sabatia, Vihiga County. Here are Imbuga’s words as he wrote them on the
index cards that he always carried with him:
“I write
in order to understand myself more. If I didn’t write, I would still
claim to understand myself, but this would only be at the level of my
conscious experience and my interaction with my environment at this
conscious level.
“When I write, I am told by
psychologists and other thinkers, that there is that other me, which
asserts himself in my writing, which makes me kill someone within the
first 20 pages of my novel or my play; which makes me laugh at
everything from funerals to church weddings. That part of me can never
surface and be captured by me in any other way than through the process
of writing.
“I am what society has made me and my
reaction to the method which society used in order to make me at every
stage of my growth is partly hidden in my subconscious or unconscious
self.
“Yes, quite frankly speaking, I would rather be
on stage, for that is where I feel most comfortable. There, I would have
no responsibility whatsoever except to faithfully live some other
person’s life for an hour or so.
“But is that why
hundreds of thousands of people are actively involved in the art of the
theatre? Is the aim of our participation in theatre merely to live some
other person’s life for an hour or so? Is our participation in the
theatrical activities a means of temporary escape from the reality of
our situation?
“The answer to these questions, as you
all know is a blunt NO. We participate in theatrical activities because
we believe in its capacity as an instrument of awakening, educating and
sensitizing us in our desire to contribute to the emergence of a new
conscience and to our well being.
“Art can be beautiful
when experienced at our deepest levels of appreciation. But for it to
influence us, it must have its origins from similarly deeply rooted
concerns.
“Change has always had the capacity to
inspire creativity. I hope that whatever we create at this time of
change will come from a deeply rooted internal centre of inspiration. I
want my art to be universal, strongly appealing and permanent to the
future hazards of interpretations on its own, for that is what it will
always be, art, minus me.”
It is gratifying that
Masinde Muliro University of Science and Technology has decided to
immortalise Imbuga through an annual memorial lecture. According to the
Vice-Chancellor, Prof Fred Otieno: “It is important for the University
to recognise Francis Imbuga, who was, so far the best playwright East
Africa has ever produced.”
Prof Francis Imbuga, Kenya’s
finest playright, died on November 18, 2012, in Nairobi. He was then
teaching at Kenyatta University.
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