The recent story in the news about a Chinese restaurant
in Nairobi not allowing in African customers after 5pm has caused a
sensation on social media and prompted many foreigners to ask how
Kenyans can allow outsiders to discriminate against them on Kenyan soil.
A
BBC listener in Uganda said that if the Chinese restaurant owners had
discriminated against black Ugandans in Kampala, they would most
certainly have been deported and even beaten up.
The
restaurant has acknowledged that it made a mistake and the relevant
authorities are looking into whether the owners should be charged with
discrimination and denied a licence to operate in the country.
I
am wondering why this particular incident caused so much furore in a
country where racial segregation and racism have been entrenched by more
than half a century of British colonialism and accepted as part of the
status quo by post-colonial governments.
In Kenya it is
perfectly normal to have Asian-dominated schools or Europeans-only
clubs. In many restaurants, white people get better treatment from
waiters than black people.
Some Kenyans are so
mentally colonised that they will pay exorbitant fees to elite schools
so that their children can be taught by white teachers. They will even
pull a child out of a school because it has “too many Africans” who will
“contaminate” their children’s British or American accents.
This self-loathing, combined with a tendency towards ethnic bigotry, makes Kenya a unique case study in identity politics.
'ART OLYMPICS'
This
slave mentality is also evident in the way the government handles
artists and cultural ambassadors. Apparently five Chinese artists, one
Italian, and only one Kenyan are representing Kenya at the 56th Venice Biennale 2015, also known as the “Art Olympics”, from May to November.
No
one quite knows how this happened despite loud protests by Kenyans in
the past, such as cultural commentator Joyce Nyairo, who in 2013 asked
why the long-term Malindi resident Armando Tanzini, eight Chinese, one
Italo-Brazilian, and only two Kenyan artists represented the country at
the art expo’s Kenya Pavilion.
Some Kenyans have taken
to social media to protest the lack of Kenyan representation at the 2015
expo and have even signed a petition denouncing Kenya’s “fraudulent
representation” at the event.
Writing in the Africa is a Country
blog, SkepticAfro suggested that the event had been hijacked by Italian
artists resident in Kenya, who are virtually unknown in Kenyan cultural
and artistic circles.
The Kenya Pavilion at the Venice
Biennale was apparently commissioned by an Italian woman called Paola
Poponi and curated by another Italian called Sandro Orlandi.
It
is quite obvious that both are completely out of touch with the Kenyan
art scene, which has produced several well-known and respected artists
who have gained national and international fame.
As the
blogger rightly points out, the root cause of this problem is not the
Italians or the Chinese, who have just taken advantage of a vacuum left
by those who should ideally be in charge of deciding who represents
Kenya at such events; the problem is that the powers that be, for
example, the ministry in charge of the arts and the organisers, simply
do not care enough about Kenya’s cultural voice.
On
the contrary, they have allowed foreigners to appropriate the Kenyan
artistic space; these foreigners are now masquerading as the “face of
Kenya” at international events.
Feeble attempts by the
Sports and Culture Cabinet secretary to explain Kenyans’
non-representation at the expo have not convinced Kenyan artists. Nor
have Kenyans been told why the Kenyan contingent has so many Chinese.
This encroaching Chinese “colonisation” of Kenyan spaces should not be left unchecked. In its March edition, the New African
noted that the Chinese government needs to rigorously regulate the
activities of some of its companies and nationals that operate in Africa
as not doing so could seriously impact Sino-African relations.
In
many African countries, small- and medium-size traders and businesses
are complaining that Chinese companies and entrepreneurs are driving
them out of business, which could lead to xenophobic attacks. Add to
this discriminatory practices and racism, and you have a toxic mix that
could fuel a rebellion against the Chinese in Africa.
rasna.warah@gmail.com
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