A pendulum swings back
and forth from one extreme to another. Here in Kenya, the pendulum of
tertiary education pressures also swings shifting from its equilibrium.
We
often complain about the lack of employability of university graduates.
However, we also take steps to erode and diminish the ability of
instructors to teach and examine students in innovative, cutting-edge,
and relevant ways.
One method utilised by some to improve student learning involves curriculum standardisation.
Proponents
argue that if all university students learn the same lessons, read the
same materials, and get examined the same way, then quality education
for employers can be assured.
However, university
standardisation represents one of the most repugnant, useless, and
self-defeating ideas in modern tertiary education.
What
if society required that all painters utilise the same brush strokes,
colours, and canvas? Would such standardisation enhance or diminish the
quality of fine art?
Paul Zeleza notes in his research
the push and pull between standardisation verses flexibility of learning
as a reaction to globalisation pressures and demands from society.
Marie
Bjerede argues that education standardisation, while useful for lower
costs and ease of scaling while satisfying the uncritical shallow gaze
of politicians, actually instead contributes to student disengagement
and an inefficient mismatch for unique student learning.
Carl Cargill’s research highlights that those creating education
standards work with imperfect knowledge, high economic incentives,
shifting relationships, and usually short-sighted planning.
A
movement in higher education institutions in Kenya desires all sections
of a course to lecture the same content and even a push for
standardisation across universities themselves.
In such
a scenario, lecturers should utilise pre-packaged materials only and
give the same exams, thus heightening the possibility of corruption,
complacency, and irrelevance.
Then why require
lecturers to hold the highest attainable degrees in their fields if they
simply should become regurgitation robots?
An
economist schooled at the University of Chicago Booth School of Business
holds a fundamental different economic philosophy from one trained at
the London School of Economics. Why stifle viewpoints?
Every
week, thousands of research studies surface with innovative new ways of
looking at theories, cause and effect relationships, and methodologies.
Why limit the creativity that students have access to in a university
classroom? In the North American tertiary education system, lecturers
hold power, authority, and autonomy.
They can choose
their textbooks, teaching methodology, assignments, readings, and
examinations while staying within the broad learning outcomes for a
course. The lecturer decides how best to achieve the course learning
outcomes. Instead of stifling lecturer creativity, they are instead held
to account. Take Colorado State University as an example.
If
at least 70 per cent of students on an examination do not answer a
question properly, then the question is removed from the exam and not
included in the total because it is assumed that the faculty did not
adequately teach the concept.
Further, examinations
there often include multiple questions covering numerous topics instead
of students gambling with a few faculty questions hoping that the
limited examined questions capture one of the areas that the student has
read.
While not mimicking America, how can we foster
our own unique Kenyan quality thresholds without dropping ourselves to
the lowest common denominator of distasteful standardisation?
The world does not need cookie-cutter solutions from cookie-cutter leaders originating from generic cookie-cutter universities.
If
we can cling to any hope of deliverance from the myriad of 21st century
problems, then we need the best and brightest enlightening and
empowering the next generation of leaders in creative formats.
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